Working Towards that Immovable Mind

There are many people who practice kendo that believe that they have completed their practice of the kendo fundamentals during the beginner stage and only attempt to relate to them theoretically thereafter.  However, this is a big misconception to the pursuit of true kendo.

Until you are 50 years old, you must endeavor to practice the fundamentals of kendo and make it a part of you.It has taken me 50 years to learn the fundamentals of kendo by body.  It was not until I became 50 years old that I started my true kendo training.  This is because I practiced kendo with all my heart and spirit.

When one becomes 60 years old, the legs are not as strong as they once were.  It is the spirit that overcomes this weakness.  It is through a strong spirit that one can overcome the inevitability of the body becoming physically weaker.

When I became 70 years old, the entire body became weaker.  I found that the next step is to practice the concept of not moving ones spirit (immovable spirit) when practicing kendo.  When one is able to achieve the state of an immovable spirit, your opponent's spirit and will manifests itself to you.  I tried to achieve a calm and immovable spirit at this stage in my life.

When I became 80 years old, I achieved the state of the immovable spirit.  However, there are times when a random thought will enter my mind.  I am striving to eliminate these random thoughts at this state in my life.

-Mochida Moriji Sensei 10th Dan (taken from Princeton Kendo page)

The above quote is from Mochida Moriji sensei, who is the last known 10th dan in Kendo before they reduced the maximum available dan ranks from ten to eight.  Here, he was describing, his progression in Kendo as his body became weaker through age.  Once his body became weaker,, he started on working towards that immovable spirit, or fudoushin, that allows you to keep calm despite what's going on in front of him and be able to move and react despite his physical shortcomings.  He was quite the accomplished kenshi for his time and definitely looked upon very highly when one wants to model themselves after someone for good Kendo.  If you haven't seen his fights, then you can click here for one that was done in front of the emporer at the time.  Here's another one that was from that 8th Dan video that has become popular within the Kendo circle in the past few years.

At 25 years old and in good health, I think that I am still considered young, depending on who you ask.  Despite what people think, when practice begins, I have no qualms with hitting the ground hard and run around the dojo since my body allows for that sort of thing.  No matter how healthy and young my body feels, I eventually run low on energy and I'm not able to move around as well.  So now, the important question becomes, "What do I do when my body isn't able to move as well as I want to, whether it be because of advancing age or simple exhaustion?"  Based on the quote above and my own recent experience, maybe I'm already working towards the answer.

Thanks to the recent weather conditions in the southwest Ohio area, I've had ample opportunity to deal with just that problem.  By time practice starts, temperatures reach the 90s with the dew points in the 70s.  After a series of lots of meterological equations, the heat index gets up into the 100s, sometimes even reaching near 110 degrees.  The fact that we're wearing the heavy dougi and bogu--which only gets heavier as they become sweat soaked--and that the sweat doesn't evaporate since the air is already waterlogged, only creates a recipe for disaster if you don't prepare for it and watch yourself during  practice.

This problem is especially apparent when I attend the practices in Dayton with the Miami Valley Kendo Club.  There are air conditioning units in the dojo, but only open doors and ceiling fans are operational throughout practice.  The practices are normally very intense all year, and practices are run the same whether it's 0 degrees or 95 degrees.  

These intense training conditions really put a number on my body.  In the beginning, I can move around just fine.  But fast forward to near the end of kihon practice when my bougu, my body is dripping with sweat, my bogu is wet and heavier, my legs feel like they will collapse under the weight of everything they support and my arms feel like lead.  Nonetheless, I have to keep going and make it to the end of practice.

Over the past year or so, especially after I got my nidan, I've been given copious amounts of advice on mentally fighting other people.  From being told to simply think before I move to how to use my shinai and body to assess the situation, I am getting to the point where I can't solely rely on my physical prowess anymore...though it does help.  It's given me a path to achieve that fudoushin, that is so sought after so I can remain in control of my body and start gaining control over the other person's body despite the situation at hand.

The benefits are many-fold.  On the physical side of things, it's less taxing on my body.  Being able to do more with less helps conserve the energy that I do have at any given point in time.  On the mental side of things, I find that I'm able to see more of what's going on in front of me.  Things like bodily patterns and openings become more apparent.  And, whether or not I'm even successful, I'm able to react faster since I'm relying on my own auto-responses instead of seeing and doing.

Unfortunately, it's something that doesn't last very long.  After a few minutes, I begin to lose focus, which is a problem because I didn't have a lot of physical energy left to begin with.  Then, I have to actively bring my jigeiko back to it's previous mental state, which can sometimes add a little more stress to the situation, albeit not much. Then it becomes a sort of ping-pong match as I bounce back and forth through various mental states.

At this point, I only know that time is the only medicine to work on this stuff.  Right now, my exhausted body has been the trigger for calming and strengthening my mind.  The next step would be to just keep things calm at any situation to make sure that I don't lose myself during critical moments such as testing and tournament matches.  Then, I guess it would serve as compensation for a weakening body, which hopefully shouldn't happen for at least another 30 years or so.  That fact should help me better concentrate on all those basics and stuff while I can efficiently move.

Nichibushin Shinai Bag

I had a shinai bag that lasted me quite a few years.  But once a small tear at the top became a full-blown hole, I felt that it was time to get a new one.  The old shinai bag was one of the ballistic material ones from E-bogu and was about $30 or so.  It has lasted a while and had transported my shinai and bokken wherever I needed to go, so there are no complaints there.

 Due to having a bit more money in my pocket, I have been blessed with the increased options of shinai bags that are available.  I wanted one that could hold the increased amount of equipment I have (extra shinai, long and short bokken, suburito, etc.) and one that might be able to last for a while.  After some searching, I decided to settle on the Nichibushin Travel Style Shinai Bag from Mazkiya.  So, how did I like it?

The first hurdle to get over is the price.  It costs $96, so purchasing this may not be the easiest decision to make for most people.  It's designed to hold between five and seven shinai and has a pouch on opposite sides.  One holds all your tsuba and the other serves as a place to hold your bokken.  There are ties that hold both the daito and shoto on there.  There is also a shoulder strap for easy carry that feels a little short, but it does the job.

It is a "travel style" shinai bag, so I guess this means that it's designed to take the brunt of abuse for those that do a lot of Kendo.  With it's ballistic material that feels thicker than some of the cheaper versions of shinai bags, so it doesn't seem to disappoint in that department.  Keep in mind that I've only used this for a few weeks, so it might be a few more months or years before I can really verify the strength of the material.  There is a smooth inner lining that seems to offer a bit more protection and add some sturdiness to it.

The pouch on the side that holds your bokken is a nice, added touch.  There are two adjustable straps that can hold your long and short bokken, should you have a full set.  Unfortunately, I found it a bit difficult to adjust the straps, but they have served their function thus far.  The rest of the features on it are pretty typical for just about any utility shinai bag with its pouch for the tsuba and zippers to hold everything in.  There's an optional embroidery service that lets you put your name on the bag for an extra $5 in just about any color you desire.

If you just started Kendo, don't have a lot of equipment, or live in an area or have a schedule that only allows one or two practices a week, then I would suggest just getting the cheaper variety of shinai bag.  They all serve the same purpose, it's just a matter of finding one that fits your tastes and lifestyle.  If you happen to be on the other end of the spectrum and do a lot of traveling, practice a lot and/or have a lot of equipment to transport, then this is a something to at least consider.  It's serving it's purpose for me, based on what I have said above, so I would recommend it to those that are considering it.

AUSKF Iaido National Seminar 2010

I got to spend five days last week in San Antonio for the AUSKF Iaido Seminar.  While I have been to two Iaido seminars in Cleveland, this is the first time I've attended the national seminar.  To be honest, I wasn't sure what to expect to experience and learn.  In the end, I was very pleased with the organization of the event, the people I met and the things I learned (minus some political issues, but that's for a different discussion).

The seminar had the welcoming party on the first day, the seminar on the second and third day, tournament on the fourth day and the promotional exam on the fifth day.  It was the perfect recipe to finish each day with sore legs from all the seiza and tatehiza, and a sore brain from taking in all that new information.

The seminar days went over some new exercises, such as a modified ipponme where we do the nukitsuke to the front, left, right and back and adding some kiai to the nukitsuke with the modified ipponme.  We also basically spend some time with each of the 12 seitei kata, learning various things like what's required for the movements and what's required for effective zanshin after we swing.  I would say that these were the most intense days as it was filled with tons of new information.  At the end of each day, I was mentally exhausted due to taking in so much.

The fourth day was just the tournament which was a whole new experience for me.  I'm more used to the Kendo tournaments where there's a lot of screaming and whacking going on and people running all over trying to get to where they need to be.  Because there was complete silence, the pressure was more intensified than the Kendo tournaments since there aren't any other sounds to drown yourself into.  In the end, lost at the second match against a really good opponent.  It was one of those moments where you could tell someone's skill just by looking at them.

To be honest, I wasn't all that wild about participating in Iaido tournaments in general.  It was something to do just for the experience, but I wasn't sure about really traveling as much as I would for a Kendo tournament to participate in one (if there are even such events existing in the US).  My initial impressions was that there wasn't all that much to gain from participating in these things because I saw it more as just doing the same thing in class, but having a different set of people looking at you.  After actually participating in one and feeling the different sorts of pressure, I do feel that there is just as much to gain from these tournaments compared to the Kendo tournaments

The final day was the promotional exam, which I also participated in.  There was a little less pressure on me that day because:

• I was just going for whatever kyu rank they felt I deserved.  So this exam wasn't a matter of "pass-or-fail".
• The tournament prepared me for the procedures and atmosphere so the experience was less jarring.

I was able to make it to 4th kyu, which I'm happy with.  It serves as a jumping point to know what the Federation expects of me to improve, which is pretty much all I feel gradings are for anyways.

Overall, I was really pleased with the seminar.  Not only did I learn a lot, but I met a lot of great people from all over the country.  I look forward to seeing them again in Cleveland next year (which is great since the driving distance is small :)).  In the meantime, I'll take what I learned and work with that until I find out more that needs to be fixed.

I had a chance to use my camera skills while I was there.  I think I'm starting to get the hang of using the camera so I feel that these came out better than some of the other ones.  A friend of mine told me that the ISO might be set too high so I guess that's another thing I should spend a little time with.  Without further ado, you can view the pictures on the flickr slideshow.

Until next time!!!

Public Speaking, One Of The World's Worst Fears.

Every year, the Krohn Conservatory in Cincinnati, Ohio has a butterfly show where they release many kinds of butterflies in a building for the visitors to look and interact with.  If you're lucky enough, you might even get one to rest on your head, like the one in the hokey picture on the left.  In addition to that, the Japanese and American Student Society has their own set of demos outside of the main building showcasing several aspects of Japanese culture.  The UC Kendo Club was asked to do several demonstrations, which we were happy to oblige our time to show off the martial art we love so much.

In most demos, someone else in the club does all the talking and I just do my job to help make things go smoothly.  But, this time, I was the one doing the talking.  Overall, everything went well.  With the help of those in the club that were able to attend and a receptive crowd, I was able to hold onto my confidence level that tends to go south when having to present stuff in front of large groups of unknown people.

When it comes to presenting Kendo, my goal is to make explanations short and simple and visual examples action packed to make sure that people aren't falling asleep.  Of course, there are many things that I need to improve on which are mainly transitions and maybe a description of the overall history and descriptions that sound less like rambling and more like an authority figure sharing information.  I hope to really work on this as time goes on because I know that this won't be the last demo I will be giving in my Kendo career.

The demo itself consisted of introductions, brief history, description of equipment, basic attacks, kirikaeshi, ai-kakarigeiko and some jigeiko/mock shiai to explain the point system and what makes a hit.  To be honest, I feel that this format is more than sufficient to get the point across but some edits will most likely be made to fit the situation at hand, type of people in the crowd, time allotted and space available.  After that is kept in mind, then the rest should be pretty simple.  The rest is really up to the ability of the speaker to convey the information in a good way.

I've never really thought of myself as the model public speaker.  I tend to stutter and blank out as my confidence level drops.  One thing that seemed to help with that is being put in leadership positions in the clubs I attend, so I had to get used to talking in front of people whether I wanted to or not.  But hey, everything turned out better in the end since I seem to slowly but surely be getting out of that whole stage fright thing with small crowds.  Things might be different for larger crowds, but that is a bridge I will cross when I get to it.

In any case, as my experience level rises, more and more responsibilities will be laid upon me.  Thus, I need to take any opportunity to do what I can to prepare myself for any future situations that come my way.  Some of my goals is to not just be an instructor, but an effective instructor.  To be honest, I didn't think I would have to present myself so early in the game, but it was bound to happen and I come out of it better each time.

Upcoming Iaido Test

My application to attend the AUSKF Iaido seminar in San Antonio has been sent in.  Now I just need to do further preparations such as plane tickets and a possible stop in Houston before I leave.  There will be the general seminar, tournament and testing over four days of Iaido goodness.  This will be my first AUSKF Iaido seminar, so I honestly don't know what it will be like.  At this point, all I can assume is that it would be somewhat similar in structure to the Kendo seminars with the content learned in the Iaido seminars I went to in Cleveland.

I've been thinking about the whole testing process more than anything.  I'm pretty much guaranteed to get something since I'll be vying for one of the kyu ranks, but I would like to put up the best performance I can.  There's a slight learning curve since I've never tested in Iaido before.

All that is required of me is to perform five kata from the Seitei set in under six minutes.  One thing I need to do watch my perception of time.  While I made it through a sample kata set in well under the allotted time, it was still surprising how quickly five minutes can pass.  Of course, it won't do me any good to rush through them all.  One thing that's good about the nature of Iaido is that it's easier to prepare for the exams on your own time.  In Kendo, I'm really only able to get the full benefit of preparations when I have someone to fight against.  For Iaido, since everything is done by yourself, I only have me to rely on and me to blame for taking the time to train beforehand.

For now, I should try to get in the right mindset when doing the kata during practice.  At the same time, I need not worry about all the small details that tends to psych me out and makes me perform worse than I want to.  I should also throw in some home training to really up the concentration.

Injury Recovery

For the past few weeks, I have been skipping out on Kendo and Iaido practice due to a back injury.  Essentially, while doing things to take care of my stiff muscles in my back, my spine kind of just locked up.  I have been visiting the Chiropractor to get things fixed and things have been improving with each treatment so I should be able to return within the next few weeks.  According to the doctor though, I must have been living with a misaligned spine and muscles for quite some time, which actually sounds kinda creepy in retrospect.

However, even when I do return, I can't really just immediately start putting on my bogu and go at it.  Once I finish the adjustment segments, I need to get some therapy to strengthen the muscles I have since they are going to be operating differently.  I will be able to return to Kendo, but will probably have to spend that time just working on my basics and taking things easy until I feel more comfortable to get more active.  This isn't necessarily a bad thing because I will have an easier time concentrating  on all the basics, such as my footwork and suburi through either my own work or helping out any beginners that are attending practice.  It would be interesting to see how it all plays out once I'm able to join the main practice though.  Because the nature of Iaido isn't all that physically demanding, I'll be able to return to practice quite easily.  Heck, I could do it now as long as I'm not in pain on that particular day.

But, until I recover to that point, I'm stuck at home while I recover.  This has given me opportunities to catch up on some games I've neglected, but I've also been doing several things to keep my mind up to speed about Kendo and Iaido.

The biggest thing I have done was buy this book from E-Bogu.  The order was actually in addition to an Iaido hakama and new bokken set so I could save on shipping ($13 shipping vs. a $15 book + free shipping...hard decision...).  It's in Japanese so it's slow going as I actively translate everything, but there's lots of cool pictures drawings in there.  Iho hanshi (the author of the book) does a lot of comparisons between Kendo and various mainstream sports in terms of teaching some of the basic mechanics, though I'll have to see how that plays out as I continue reading.  I have also been reading various blogs and watching tournament videos on Youtube to keep things fresh and reflect on my own abilities. 

I am awaiting the moment I'm able to return to practice.  I'm honestly sick of having to sit around and wait but, if this prevents further injury and makes my body better than it was before, then all the wait time will all be worth it.

Kendo and Physics

Anyone that does Kendo can understand that even the most basic themes can be difficult to understand or perform.  Someone might tell you over and over how to hit a better men or make better use of seme, which is something you possibly could perform given enough time.  You might be able to do it, but do you really understand what your instructor is talking about?

Sometimes, whenever I am given advice on something during training, I can get told that my body has to be in position X when I start, then it needs to be in position Y when I finish while, at the same time, I need to be thinking about Z to really carry things through.  It really works for the short-term understanding to be able to try out what they are telling me for that particular practice, or even the following couple of practices.  But, I must admit, just saying that I have to be in certain positions or thinking about certain things can sometimes ring hollow to me for the long-term to aid in personal development.  Thus, I have been thinking of certain ways to aid in understanding things in terms that have more of a personal meaning to me.

Whenever we learn a new concept, one of the highly recommended methods for memorization or better understanding is to use mnemonics which is the concept of using aids to help your memorization and understanding of new material.  The most common thing to do is to take a new word or phrase and assign it a word, phrase or concept to make it easier to understand.  So, when it comes to Kendo, doing something like men turns into basic mechanical physics concepts like vector forces of the tip of the shinai and radius of rotation and their related equations.  Or, a concept like tame goes from just storing up my energy before I attack to thinking of springs and how they operate.  Things like this really helps put things into perspective and makes everything less daunting to understand.

Another benefit of this is that, whenever I have to relay the information to others, I can have an easier time explaining it since it makes much more sense to me.  The main caveat is that, because I understand it in terms of physical concepts, relaying the information may be a bit more difficult to others to understand that don't have the same science background that I do.  Of course, any looks of confusion allows me to backpedal a bit and explain it differently if I forget who I am talking to.


Either way, the most important thing is that I turn what was previously hard to understand concepts into something meaningful and, thus, easier to understand.  Doing so allows me to rely on my own devices to aid in improvement, regardless of the type of advice I get.

Countdown to Nidan Exam

I have sent in my shinsa application, so now everything is set for me to take the nidan exam in a few weeks.  I had been thinking about this moment for the past year since I got my shodan, and doing what I could to make sure I was ready for it once the day finally arrived.  If I were taking this test tomorrow, I'm honestly not too sure how well I'd do.  On one hand, I feel like I've got a handle on the copious amounts of advice I have been given for the past year.  But, on the other hand, putting them into practice is a different thing while under various amounts and types of stress.  In the end, I think that, as long as I can keep my mind calm, I would be able to give my best performance to show that I am ready for the next rank.  But, as with anything in life, my best could always be better.  The following is a short rundown of the major things I feel I need to work on.

• I feel I have a good handle on the kata.  There isn't an issue with knowing what to do.  But I could use a little more practice with nanahonme.  My main fear is falling over myself if I am stuck with the shidachi position as evidenced with practice a few weeks ago.  The floor was very slippery, but you never know.  Better safe than sorry.
• I need to put more thought into my fighting.  During general practice, it's pretty simple to achieve as the stress levels are much lower and different compared to a shiai or shinsa.  So I really need to get to the point of being able to look for openings and respond to attacks to the point where I am constantly in control of myself and the fight.  Various people have told me this, so I know this is probably something they will really be looking for when it's my turn to go.
• While I need to work on being more calm, I also feel I should have a better handle of balancing that with aggressiveness.  I can't just stand there and wait for the person to attack me, I need to actively try to make them attack and even launch one or two of my own attacks once I see something.  I also need to be able to move forward to make sure I get the hit, but make it difficult for the other person to hit as well.  Of course, I can't really be too aggressive to the point where I'm just attacking and hoping that I can hit something.  I've been dinged for that many times before so I should know all too well about that.

Of course, the list can go on and on as far as things that I need to fix, whether or not they are big or small.  What I want to be careful of is thinking about too many things at once, which will only increase my stress levels.  I already have an idea of what they are looking for from me so I really need to just think about those major points and brush up on those until the time of my test.  I can easily succumb to pressure so I need to do whatever I can to mitigate the issues associated with that.

Kendo Kata research - Introduction

I can admit, Kendo kata can be boring. But, no matter how I feel about the kata, they must be done anyways in order for us to advance through the rankings. I was one of those people that treated kata as a necessary thing to do before the promotional exams to make sure I don’t make any glaring mistakes come test time. Whenever I do them, it turns out to be no more than doing X, Y and Z in order to get from point A to point B.

I’ve started to think a bit more about how I can approach Kendo kata a little differently. Part of it is my newfound uptake and interest in Iaido, where we tend to go much deeper into the techniques and reasons behind each of the katas’ moves and the other part is just a drive to understand whatever I am doing a little better, which just happens to be part of my inquisitive personality. Essentially, I may know how to do all the moves, but I would also like to know why I am doing those moves. In order to achieve that, there are a few things I’d like to look at.

1. I would like to know some things about when the kata were developed, how they were developed and why they were developed. Understanding where things come from can help with better appreciating what it is one is doing.
2. I have learned that the roles we do mean something and the kamae we take means something. Thus, I’d like to take the positions and roles we take and put some meaning behind the moves we do by examining each of the kata with the information learned from the background info.

Keep in mind that, beyond the history and some technical info, a lot of what I type here is my opinion based on my experience and thought process. People with more experience will think differently, people with less experience will think differently. Heck, people of similar experience will think differently which all depends on where they practice, how they practice, who’s teaching and what their personality is. My own experience level really isn’t all that much to the point of not knowing the kodachi kata yet. I’ve just taken some interest in this part of Kendo, so I thought I would take up my own research, but then share what I find and what I know with the Kendo world at large.

Trying Jodan

For the last few practices, I thought I would try out Jodan no kamae for a little bit. For those not in the know, Jodan no kamae is one of the three main kamae used in Kendo with the other two being Chudan (the most basic and widely used) and nito (using a shoto and daito simultaneously).

I wanted to try it for three main reasons:

• Learning alternate kamae - Well, the stance is there, so why not try to use it? I love Kendo enough to explore whatever avenue is open to me for improvement and this is just another path that is open for me to take. There is an experimental bug in my consciousness that sometimes might get the best of me.
• Defeating the kamae - Whenever I face against someone who is doing jodan, I oftentimes freeze into confusion as I start to really think about what needs to be done to be victorious. In the end, all it did was slow me down and made my defenses and offenses very innefective for fighting. The easiest way to learn about fighting against jodan is to just keep fighting against people that use it. Eventually, you learn about the kamae you should take, the targets that are open and the capabilities of that opponent. But I believe that the missing element is actually learning of the capabilities of that kamae yourself by really experiences the positives and negatives through personal experience to take with you when you eventually face someone using it.
• Helping with assertiveness - I tend to hesitate a lot in Kendo with doing chuudan. At first, I thought that I would need to really work on my aggressiveness through chuudan before I moved on, but then I recently had the idea to use it as a vehicle to really learn about aggressiveness out of necessity through jodan. Jodan no kamae is known as the kamae of fire. The mindset for this one is to have that feeling of taking over the other person as a flame can easily take over anything that's flammable. Also, you have to be aggressive with it because the left kote, dou and tsuki are wide open for the taking. Worrying about defense isn't much of an option with this stance.

Trying out jodan is something that I have been wanting to do for a long time. I have tried it out a few times before, but the lack of knowledge of available sources at the time and, perhaps my own experience at the time as well, made any small attempts fruitless. A couple of days ago, I found a translation of a Jodan manual on the Halifax Kendo Club website, which provides a lot of information on the basic techniques and required though processes in fighting with and against Jodan. After taking a glimpse of that, I was inspired to give it another shot, on top of the reasons stated above.

In the short time I've used it, I've learned quite a bit. On the top level, I had a lot of fun using it once I got into a decent mindset. Going deeper, I learned some stuff about myself and how I am able to improve my overall Kendo. I was able to try it out against a good amount of people so there were more experiences to add onto what I have already learned. That can be read as I got my ass kicked a lot, but that really doesn't matter to me since I only just started experimenting with it.

At this point, it's way too early to see where I could be going with this. As of now, the main reason for using Jodan is to be able to find out a lot about the kamae and myself. The required mindset in order to be successful with it is totally different from Chudan, but also the same. What I mean is that, while I need to be more aggressive due to the open targets, the planning that is required to do well when fighting against someone is the same. Anything beyond that concerning me and my Jodan future is out of scope for the time being.

Yearly Introspection

The final days of the year are approaching us. That means it's time for us to close out the year with reflection over how this year was spent and look ahead at the next year to see how we would like to approach it, given past events and lessons learned over all of our lives.

I thought I would try to approach this differently than in the past. I choose a word or phrase that best summarizes my experiences in Kendo and Iaido over the past year, and choose another word or phrase to summarize my goals for the following year. Then I justify each word or phrase.

Kendo
This year's word: Planning
One thing that I needed to do more of is to put a little more thought into my fighting. Beforehand, my habit was to mindlessly attack something with little to no planning. More often than not, it just resulted in me getting tired and not really gaining much in the end.

In order to move on to the next level, I need to begin using more seme to create openings and attack any weaknesses my opponent might show. I save energy and it allows me to mold my fighting style as I read the opponent's style. For the most part, I am understanding all the suggestions I am being told as I am reaping the benefits of doing so. Obviously, I have a long way to go to master that as there are many holes that need to be filled.

Next year's word: Resolve
Despite beginning to know about the benefits of using seme, most of it would be for naught if I don't have the resolve to beat the opponent. Oftentimes, I am distracted by the shinai in front of me and the many potential outcomes of any attempted strikes. Any sort of distraction will only diminish my attacks. I really need to do a lot of fixing on myself if I want to increase my chances of defeating the opponent.

I am going to try to get my nidan in March as well. Everyone remarks on how I have good basics, now I need to translate all that to performing well in front of a random opponent and a group of five people trying to grade me. I have failed the shodan test before because of incessant attacking, so hopefully I should be okay if I increase my resolve and institute planning to my Kendo.

Iaido
This year's word: Technique
Since I've only recently begun Iaido, I have mainly been concentrating on the physical aspects of performing all the seitei kata. The first hurdle was memorizing all of the moves. Once I got that down, then it was all about performing all of my swings more efficiently to make them look and feel better. There was a small bump in the road around August when my new iaito came in. Since it was bigger and heavier, there were some new aspects of swinging that I needed to get used to. As of now, I'm slowly getting it as my body is getting used to handling something that heavy.

Next year's word: Intent
Once the basic moves are taken care of, the next part is understanding everything that I am doing. Without that, then I would just be swinging around a sword with no meaning, which gets boring really quickly. Every kata has a bunkai, or intent, that gives all of your moves some sort of meaning. Whether I am supposed to be in a thin hall or taking down a few people, I am supposed to perform as if I was actually in that situation. Of course, it means I need to use a lot of my imagination and, when there are multiple things that are already going on in your head, there isn't room for much else.

I would also like to try to test for Iaido when I get the chance. The issue now is that I need to know when the next available test is. Because I don't have a rank, getting a grade of some sort should be relatively easy. What grade I get is a matter of the judges and the grading culture of the region I will be testing in. Either way, I will be trying hard to make sure there is some intent in all of my kata to make sharper swings, effective nukitsuke and accurate noto.

Obviously, I don't know what the future holds. The chosen goals are based on advice given to me and my introspection throughout the year. If I do get sidetracked for whatever reason, I hope it's for some other important element for improvement instead of just coasting through practice for the sake of it (though sometimes that may not be a bad idea if things get too frazzled). No matter the outcome, I hope I can approach each practice with something I can improve on to make my Kendo and Iaido better, little by little.

About Dehydration

Kendo practice last weekend was a special one. Some people from Indianapolis stopped by to have a joint practice that made the dojo very packed and very active. While the practice was tough and devoid of air circulation, it wasn't the most brutal practice I've had. Unfortunately, I made some poor choices and really paid for it when I got home and for the rest of the weekend.

In the hours of the morning, I usually eat a good breakfast and hydrate myself pretty well as I know that, no matter who is teaching that day, I will be expected to work hard. But, this particular morning, I didn't drink as much water as I should have. And while I was able to survive on that, I also went across the street to have some beer with the dojo folk like I always do. Getting home was fine, though I was getting a little sleepy on the way. But when I got home, things took a turn for the worse. Going up the stairs was a task that was more daunting than usual. I live on the third floor in my complex, so that only multiplied the heavy work. At the top, my head was pounding very hard as I unlocked the door. As I got in, I stumbled around as I took my shoes and Kendo equipment that was strapped to my back. I just spent the rest of the night relaxing and tried to take a nap with very little success. There was also the strange feeling on my skin that was almost prickly and felt consistently cold (later found to have a fever that was 100.3 at the time). When the night was over, I took a Tylenol and went to bed to go to Iaido practice. The next morning, I felt very cold and stiff (even for that dojo), but was able to muster once I got moving, but had to sit out most of Kendo when I had difficulty breathing and generally not feeling well.

The story ends up in a good way, though. When I got home from the Kendo/Iaido practice of the following day, I finally put two and two together and thought about the possibility of dehydration. My symptoms kind of matched what I had when I was dehydrated the last time and what I saw on the Mayo Clinic website. Once I started drinking more water and rested some more, I started feeling better as the day went on. In my case, I was lucky, but it really could have turned out much worse. So, with this post, I would like to highlight the subject of dehydration, what to look for and what to do about it if you happen to fall under this condition.
When I got home, I had a pounding headache and felt pretty dizzy as I stumbled into my apartment complex to take off my shoes and heavy Kendo equipment on my back. On top of that, my skin felt kind of sensitive and still felt kind of chilly despite how warm I made my apartment with the central and space heater. The following afternoon, I took my temperature and it clocked in at 100.3 F.

Dehydration is the condition when your body doesn't have enough water to sustain itself. As most of us already know, the human body is 75% water and pretty sensitive to any changes to body condition that it might not be able to handle well. In normal conditions, the water allows your blood to flow easier to carry nutrients throughout the body, including the oxygen we all need to breathe. The body also gains some lubrication to allow for proper movement of body parts and satisfactory functioning of the organs. Once you pull water out of the equation, the body can't operate as efficiently and has to work harder to compensate for the lack of sufficient water.

There is a large list of symptoms to look for to see if you are dehydrated. They include:

• dark urine
• fever
• less elastic skin
• pounding headaches
• dizziness

If you start to notice these symptoms, then it's a very good idea to stop what you are doing and try to get water as quickly as possible. There are some more serious symptoms like fainting and more severe occurances of the symptoms listed above where medical attention might be needed.

The good thing about dehydration is that it's very easy to prevent and treat. To prevent it, just drink enough liquid like water or sports drinks beforehand. During practice, listen to your body and take water breaks when allowed. Some dojos might not have water breaks depending on the type of practice and how long it is, so just prepare yourself well beforehand. For those that do have breaks or allow you to stop on your own from time to time, then TAKE ADVANTAGE OF IT!!! And if you're part of those dojos that goes out to drink after practice, it might not be a bad idea to have some water on hand to make up for the water you will lose from digesting the beer and alcohol and other normal body functions. If you get dehydrated, most cases could be treated by drinking more water and possibly taking a Tylenol to relieve the headaches. For more severe cases, a doctor might be needed where they can do a lot more in terms of treatment. There is some more information out there on the internet in terms of symptoms and treatment, like the Mayo Clinic where I got some of the information typed here.

The value of Kendo practices comes out with the intense mental and physical exercises performed during training. Despite all that, trying to tough it out for the benefit of saving face will only make you look ridiculous in the end as you're carried off with some sort of injury. Make sure you listen to your body and treat it well or you could end up being out for a long time, possibly forever through serious or mortal injury.

Applying Pressure

It's been a while since I have typed anything about Iaido, but now, I actually have something to type about (yay!). I also have something to say about my Kendo practice, but that should be a given by now.

Iaido practice doesn't officially start until 8 AM on Sundays, but since I have a key to the dance studio where we practice, I like to get there at about 7 AM, if possible, to try and work on some things. I got there, stretched out as best as I can and began some self-practice by 7:30 or so.

I explained in one of my earlier posts that I had finally gotten my iaito after about 1.5 years of waiting. Because it is slightly longer than my previous iaito and much heavier, I have been spending the past month or so adjusting to the differences. In this particular case, I was working on using my body to swing instead of just using my arms. The instructor pulled up in his truck, in front of the building, and sat in his truck while eating breakfast and, simultaneously, watched me do my suburi and ipponme mae.

When he came in, he told me that I needed to shift my focus a bit while performing stuff. There was nothing wrong with what I was doing, but he wanted me to go beyond what I can currently do and reach the next level. Essentially, I need to focus more on the intent of every swing. Up until now, my focus has been more on the mechanical side of things, like how to perform the nukitsuke. Now, I needed to think about what I am doing for that nukitsuke and performing it as if I'm trying to kill the person before they get me first. After putting that sort of focus into my Iaido, I noticed some immediate benefits after doing that. Of course, I will continue doing the mechanical analysis, but there also comes a time when I need to put that to use.

After Iaido ended, we began the Kendo half of the practice. It was my turn to lead the class and I thought about trying to put more focus on ki ken tai icchi (spirit, sword and body as one) for each strike. I notice the overall ability in everyone across all experience levels, now it's time to get everyone really cleaning up their swings and advance to the next level. We did go over tsuki which the newest member objected to at first, but after essentially explaining to him that he needed to start somewhere with it and get used to the fact that it exists, he went along with it. We also allowed him to use some extra kote that we had. He was initially worried, but he got to the masochistic phase after practice ended saying that it felt weird and hurt at times, but he wanted more.

The main thing I have been working on lately is being able to apply pressure to the opponent. Whether or not you believe in ki, the concept of applying pressure to break your opponent's composure, or kuzushi is a very important concept to understand in the higher levels. If you believe in ki then it's trying to extend your energy to clash with your opponent's energy to gain control of the other person. If you don't, then it's a way of sending certain signals to gain dominance over the other person. No matter how you think of it, you're trying to gain control over an ability that occurs very often in the animal kingdom to reach the same goal of gaining control of the match.

I have been working hard with trying to apply pressure, but I tend to ultimately become concerned about the shinai in front of me and thinking too much about the overall outcome whether or not I have the center. With that in mind, the phrase, "The more you chase it, the more it eludes you," comes to mind. From what I understand, it means that trying too hard to achieve something can cause you to lose the original purpose of achieving that goal which can lead to even more frustration. With that in mind, I might want to try focusing on some other things that I need to work on and come back to it when it might be easier to accomplish. There are a lot of the mechanical things to think about such as weight distribution, lunging and body positioning before and after the strike. Then, there are some other things, like kuzushi, sutemi (捨て身) or releasing one's thoughts to strike and tame (溜め).

On a final note, we had an accident the week before last where someone tore their Achilles tendon near the end of practice and will be out for several months. It really brings home the necessity to be well stretched and rested before practice to prevent injuries. While it won't get rid of 100% of the risk, it will at least reduce the chances of injuries. I did get to talk to him again last night and he's doing fine and really excited to start practicing again as soon as he recovers. He told that, during his free time, he's been thinking a lot about his future in Kendo and how best to approach that. I think that this is something that every kenshi should think about from time to time to build a path that one wants to follow and possibly reignite the flame of desire for improvement for those that might have their flames slowly dissipating in monotony and disappointment. It's one thing to do Kendo, but it's best to eventually begin exploring why one chooses to do Kendo and what they hope to get out of it.

Welcome back, To that same old place that you laughed about

The University of Cincinnati (UC) Kendo Club is now back in session. The first practice was actually on Tuesday but I missed that one out of my own stupidity but I did attend the Thursday practice. One thing I can say is that it's great to be back!

Usually, there is the typical shrinkage over the summer months from the people that don't return after the summer break, but that didn't really happen so much this time. That isn't to say that there will be some dropouts later as it's typical for any activity, especially a college club, but it looked good. There was a lot of energy throughout the practice which only boosted my own. I hope that this is a sign of things to come throughout the year. One thing that I can't get over is the 2 hours 45 minutes of practice time on Tuesday (and 2 hours 15 on Thursday) we have. Takano sensei made a schedule for us to follow so we have some direction on how to use said time span.

One of the things I have been working on is trying to calm down during jigeiko. This stems from the comments Matsuura sensei (and many other sensei over the years) gave me at the last national Kendo seminar. In essence, one, decisive hit will serve me better in battle than a hundred, unfocused hits. My plan is to try to loosen up my body, analyze the situation and then make my attack. My goal here is to be able to concentrate more on being a thread to the other person take advantage of their weaknesses instead of just going for something and hoping it hits.

That was the easy part. While I definitely don't have it perfect, I think I have an idea on the potential results of my actions. Unfortunately, this calming-down has yielded a few more problems of my own, mainly hesitation and over-thinking. I may be able to stand my ground, but there are some missed opportunities because I am thinking too much about the outcome and slow myself down. So now I need to bring up the aggressiveness again, but only gradually until I hit that desirable sweet spot that I can work with over time.

One big goal I have for the time being is to prepare for my nidan exam. While I'm not going to let it completely consume me, it has been in the back of my mind for a time now. I tend to get a little nervous with exams, no matter what kind of exam it is which oftentimes doesn't come out in my favor as anyone can see from my first shodan exam. I think the best thing I can do is just listen to whatever my faults may be and just fix them bit by bit. I'm pretty confident I could do well, I just don't want to crack under pressure. And even if I don't pass, the advice I get would be more relevant to my abilities for the next time I try out for it.

Now that the UC Kendo Club is back in session for the year, I am back up to 5 days of training per week. And, because of a change in hours, I may be able to bring the Iaido back up to 2 days a week at the Corryville Rec Center, though those practices happen on the same days as my Kendo practices with the Northern Kentucky club. I was able to see the results of that much practice over the past year, so we'll see what develops this year.

Problems Fixing Problems

Time for a statement from Captain Obvious! Everyone has their own problems to fix in Kendo. Some problems may be easy to fix within a few practices and others might take a lifetime to work out. Unfortunately, the path to fix these issues come with a bit of frustration and last week was one of those times.

The frustrating scenario happened this past Wednesday at the Corryville practice. For the past year or so, I have been told some variant of keeping my back straight, pushing more off my left leg and turn my wrist in to make quicker, more effective strikes. I have been working on these in some degree or another, but I just tend to regress back to my old ways later on. Despite working on it, it has gotten a bit on the frustrating side since it seems like there hasn't been that much improvement despite my best efforts.

I know that the path of Kendo comes with a lot of hardship, but knowing and experiencing are two different things. This frustration comes on several levels:

• The pressure I put on myself to improve by fixing any known errors
• The pressure I put on myself by trying to show that I am actually listening to everyone's suggestions and taking steps to improve myself
  
• The pressure I put on myself with the frustration of getting that same advice said to me and wondering if there is actually some improvement.
  

I typed the situations like that to put emphasis on the fact that I am putting the pressure on myself, whether or not it's warranted. The first bullet point is pretty much the only sort of pressure I need to put on myself. The sensei and senpai that give me these suggestions know that I am trying my hardest to improve, or they would have given up on giving me any sort of advice a long time ago. And, despite what they actually think, I know for a fact that anything they say is somewhere in my mind which puts it at or near the top of the list of things to improve on, whether or not I am consiously thinking about it. Also, I do realize that different problems take different amounts of time to fix which is all dependant on how big or small the change is, how long one has been doing it wrong and general ability to think about it during all forms of practice, in and out of the dojo. For all I know, I could be improving, but I don't realize it. I could be getting closer to that point where I can do things in an acceptable manner, but I'm just getting pushed to make it better.

One thing I need to think about while fretting over fixing these issues is that, the longer I fret over it, the longer it will take for me to improve. That would just cloud my judgement and cause me to lose focus on the things that do matter. The important thing is knowing that I recognize these problems and have steps planned or taken to fix them in the best way possible, no matter how long it will take. The thing about Kendo (and anything in life really) is that, even after 30 years of practice, I'll never have my back straight enough, I'll never employ the use of tame enough, I'll never use my left hand enough, I'll never...you get the idea. There will always be something that needs improving on. The thing that I realize about Kendo is that I am trying to reach that asymptotic region of 100% perfection. I know I can get close, and it might look like I am at that point from the outside, but I'll never personally reach that point.

Tournament Preparations

Well, now that the Fall season is coming, certain things happen. Schools sessions begin (for those that have it anyways), the weather begins to cool down and, most importantly, the Kendo tournaments in the area tend to occur around this time as well.

During the Fall/Winter season, there are tournaments held by the Midwestern Federation, Southeastern Federation and East Central Federation. At this time, I don't know which ones I will go to, since it's dependant on my ability to travel there and the desires of the Cincinnati team, but it's good to know that there are some available tournaments going on.

No matter how many I ultimately go to, there is one thing that is for sure. This will be my second time in the shodan/nidan (1st dan/2nd dan) division. Back at the Cleveland tournament, I honestly didn't know what to expect as far as what I needed to do to do well. It's one thing seeing what is going on through other people's matches, but it's another thing to actually participate in it. I've spent the better part of five years in the mudansha division, so this is a pretty big change for me, regardless of how I, or others, see my ability.

After really paying attention to some of the early and late matches in the division, I think I have an idea on what needs to be done to feel better about my performance. Don't get me wrong, I have been spending a lot of time improving myself since the Cleveland tournament this past April, but I feel that I wouldn't be completely ready if the hypothetical tournament were to happen tomorrow.

So how will I be able to gauge whether or not I feel ready enough to perform as desired in the tournament? That can only be truly answered on the day of the tournament due to all the independent variables going around on tournament day. But, based on what I learned then and throughout my training, I do have some ideas on what I could do to prepare myself.

First of all, I need to put more emphasis on the basics. I could throw out as many tsuki-mens as I would like, but it all means nothing if there's no foundation to build them on. I can build a house on land but, if it's not firmly planted in the ground, something as simple as the occasional heavy rain could send it sliding down the hill with occupants in tow, leading to disastrous results. What I really need to be doing is taking the next month or so asking myself many questions like:

• Am I keeping my balance at all times when I move?
• Are my hand positioned correctly to take advantage of physical leverage?
• Is my body stiff or loose?

The list isn't exhaustive, but the overall point is there. I need to try to look at everything I do in terms of the fundamentals I learned when I first started. Then the more advanced stuff should fall into place until I have to revisit the basics again.

I have also had thoughts on incorporating Iaido into the mix to help with concentration. Will this work, or is this just an excuse to practice more Iaido? That is something that I will only find out for myself in time. The reasoning behind this is that, in a Kendo match, I can sometimes get flustered with thinking way too much about the many outcomes of my actions which, in turn, slows me down and end up losing. So why do I think that Iaido will help? In Iaido, I am supposed to dispatch imaginary oppenents which can take a lot of concentration to really think about where I am cutting on the person, how the opponent is supposed to react and how I am supposed to conduct myself through the whole kata. If I can at least begin to have an idea on what it takes to stay aware of the imaginary opponents, I think there may be SOME benefit when I am against a real opponent.

Then there is the value of watching high-level tournament videos. This is more for entertainment/inspirational purposes than looking for something to emulate. Emulating from a video would be a waste of time, in my opinion, because what they are doing is of a much higher level than what I am at and these sorts of things work for their situations. If I were to just pick something up while watching, then I certainly won't avoid it, but it's not my main focus. Seeing these videos sometimes provides me with inspiration to what is possible in a match and sort of gives me something to work towards. It is also nice to be able to compare my own abilities to theirs in a fun way and to try my best to find where the point was scored for the times when the movements are hectic and fast as well as see what passes and fails in various judges eyes.

One more thing I could probably do is retreat to the Kentucky mountains, pitch a tent, live off the land and come back all scruffy and philosophical about seeing the light in Kendo. But given today's hectic world that requires me to work and pay bills, that seems like something that would be impossible, or would have to be cut drastically short. It does seem kind of fun to do though...

The most important thing that I should remember from all of this is that it is necessary for me to have fun with all of this. I need to have fun with the training and I need to have fun at the tournament. If I can't do any of that, then I believe that everything will be all for naught because my spirit would be in the wrong place despite my body being there. To be honest, I don't really have much to worry about in this department since I tend to take stuff in a light-hearted manner. And, even if I don't do as well as I would like at the tournament, it's not like it will all be a waste. I will undoubtedly learn lots of things along the way that will carry me into the future.

Iaido Training 2.0

There's nothing like being able to see yourself on camera to knock your pride down a few pegs.

Last night, I took my video camera to the racquetball court at my apartment complex to record myself doing the seitei kata to see how I look with a different set of "eyes." Needless to say, there are a lot of things I need to work on, but for the sake of sanity, I'll only concentrate on a few of the things I saw for now:

• I noticed that my back wasn't straight for a lot of the kata. There were times when I could feel it, but there were a lot of times when I did it unconsiously as a function of the various stances I would take that I haven't quite gotten use to (tate-hiza, I'm lookin' at you!) and trying to look down at the dead opponent to make sure he or she is dead.
• There were a lot of involuntary movements that I was making while swinging. Maybe it's because my movements were counter-balancing the swings during kirioroshi or moving the saya back during noto. For the noto, I had my obi and hakama on a little tight so it was a little difficult to move, so there's still some need for me to find that happy medium to make sure my hakama stays on, but the iaito is secure enough
  

I am a huge supporter for using video to help with fixing your Kendo and Iaido technique. There have been many times where I would be told to fix something, but seeing it on video really made me realize the extent of the problem. Recently, I have been able to use it to show to Takano sensei before tournaments where she would look at it and then pull us aside during one of the practices to show us what needs to be fixed.

The former case is probably one of the best tools that you could have to supplement your training. Note that I said supplement because there needs to be some actual face-to-face training in order to get correct reference material to see what is wrong. It should NOT be used as a replacement for instruction as there are some things that can really only be best corrected when someone can walk around you and see how to use your body type to improve your abilities. The latter case is great as well, but it depends on who you show it to. Showing the video directly to your sensei or senpai can be a great tool for whenever you can't interact directly from time to time. There is also the option to post your videos on Youtube, but the caution there is that there are a lot of ninja and samurai people who think they know what they are doing, but have no clue since their perception is only what was seen in historical and instructional books and movies. Then there are those that may have formal instruction, but give suggestions from only training for a few weeks or months with little perspective for what is going on. For the most part, it can be used to just show off your skills and have people remark on how you did or ask questions, but shouldn't really be used too much as an instructional tool.

I have used video cameras before as a self-instructional tool, and plan on using them in the future. While it can be a little embarrassing to see yourself, that small ego downer is small potatoes to the potential benefit you can get from actually seeing those errors that people talk about. If you have the ability to film yourself and haven't done so yet, I really encourage you to do so. And it doesn't really require fancy equipment to take advantage of that either. With cameras coming on point-and-shoots, laptops and cell phones, most already have the ability, but might have an issue of setting the camera right to film yourself. Then, with the ease of transferring data with the use of memory cards or just connecting it by USB to a computer or TV, it's a lot easier to see it in multiple spots on larger screens to make the watchers more comfortable. It's definitely a far cry from 20 years ago with the camera my parents had where everything was recorded directly to VHS tape. Being the young kid I was, that thing was HEAVY.

If you can't use a camera for whatever reason, then there's no reason to fret much about it. Using the camera is just a tool to use, but has very little bearing on how good one can become. There are many people that have some of the most respectable Kendo and Iaido skills and got them just by spending time in the dojo and feeling things out with a back-and-forth dialogue between you and the sensei. The only thing that matters is one's dedication to improve with the tools that are laid out for them.

六三四の剣 (Musashi No Ken)

This was an anime series that I have wanted to see for quite some time. After being barred from purchasing it due to it's prohibitively expensive $500 price tag for the whole series for several years, I finally was giving the opportunity to get it at 6% of the previous price at $30 for the entire series. Well, was it worth the wait? Should I have paid the original $500 for the series? Read below to find out.

For the uninitiated, Musashi no Ken is a Kendo-themed anime about a boy, named Musashi (a play on kanji for his birthday of June, 3rd at 4pm), who is involved with Kendo from birth to adolescence. The series is divided into two parts, the first being from birth to the end of elementary school and the second being his high school years. In each part, Musashi is faced with the ordinary challenges of school life, as well as the challenges brought forth by the martial art of Kendo.

I believe the first part was the best part. There was a lot of character development involved with the main character as he grows from an arrogant kid and learns what Kendo really is about. It really kept the story moving along nicely for the 43 episodes or so that the series lasts. The second part gets a bit more philosophical and outlandish at the same time. While kenshi (people who practice Kendo) might get some appreciation out of this aspect, at the same time, some of the outlandish practices kind of ruin the feeling at times (training on cliffs, for example).

The animation is your standard 80s anime fare, which most definately improved from the first few episodes. But if you're expecting very crisp animation ala the Gundam series that was out at about the same time, you will be dissappointed. It's not terrible, but it does its job.
Overall, this is pretty much as true of a representation of Kendo that one can get in an anime. There is a lot of the philosophy behing kendo in here along with the action sequences with the shiai (fights) and drama between the characters and what they believe Kendo should be.

So who is this anime for? Well, the most important thing to say is that it's only available in Japanese. At most, you can get Chinese subtitles, but if you know neither language, then you are out of luck. I would say that it's worth a look if you practice Kendo or are interested in it, since these kinds of people would be the ones that understand the most out of it. One thing to note is that the anime follows very closely to the manga, so if you already read it (which I believe is the better version), then you are only missing the motions that are going on in between the slides. I believe that just about anyone can enjoy the series, whether or not you know about Kendo. Despite how in depth the series goes with it, there is some interesting human interaction going on between the characters and the character development of Musashi from childhood to adolescence is pretty interesting. Though, if you are into Kendo, it's pretty much a requirement if you're also into anime.

EDIT: I recently found a DVD set that was released which has English subtitles. They do get the job done, but the quality leaves much to be desired. You can tell that the people that subtitled this didn't know English because it has the quality of someone with a Japanese -> English (or Chinese -> English) dictionary and did a word-for-word translation. Even the names aren't translated right. They are either over-translated (Musashi becomes 6-3-4 or Ooishi becomes "big-stone"), used the Chinese readings or just completely uses the wrong name. If you don't believe me, the clip below shows just how bad they can get.

Really?!? Really?!?

If you want to watch a preview of the anime, I have uploaded episodes one and fifty.
Episode 1 -
Episode 50 - first episode in the second season

Here are some places you can buy it as well as preview the manga.
E-Book Japan - a site where you can buy the manga and view them on your computer. The catch is that you need to know Japanese or be patient enough to navigate the site.
- If you aren't able to navigate the previous site, you can come here to read the first chapter.
Amazon Japan - This one seems to have a version with the whole series in one book
Anime Collector - This is the only place that I know of that sells the version I bought with the English subtitles.

今朝は居合道の授業は何人いましたか？ (How many people were at Iaido class this morning?)

I only ask that question because today's class was larger than normal for a Sunday morning practice (Iaido starts at 8 AM). Usually, we have about three people show up for the Iaido portion on Sundays with another one that only shows up for Kendo at 9:30. But this time there was eight including two new people and three others that don't show up on a regular basis. It's really unusual to have this many, especially for an iaido practice. But hey, I can only sing praises for it as it really allowed for quite a different atmosphere as opposed to a normal day.

Anywho, for today's class, one of the instructors took the two beginners to one side to work with them, and the other instructor took three others and me to work on shi-ho giri, or the four-directional cut. This was kind of convenient because I was sort of working on this kata a little bit before practice began. What I was working with at that time was the fact that I could hear the iaito cutting inside the saya just before I pull the iaito out to stab the person who is behind me. During the instruction period, we were told that we should make sure the iaito is pulled out of the saya up to about the tip, which is when the rotation of the body takes over to pull the saya the rest of the way. I tried chewing on that for the many repititions we did with one successful attempt out of the five to ten that we did that session.

I have no complaints of the Kendo portion either. There was just as many people that showed up for that half of the class as did the iaido portion. Despite two people having to leave early, they were replaced by one of the regulars and a visiting go-dan (fifth dan) from Louisville who recently got back from Brazil. Since it was the first practice of the month, we started off with Kata. There was an issue that we all had with the seventh kendo kata at that last step. We really weren't entirely sure if the uchidachi needs to take an additional suriashi step back or if it's not necessary. This was cleared up thanks to the visiting sensei as he was telling us that all we needed to do was step back with the left to get in the correct position before we begin the motion to reset. I'm not really sure why, but I have heard multiple versions of this particular kata. My main goal is to know the version that is most accepted and allows me to pass the exam whenever the time comes.

We didn't have as much time left for general practice due to the kata portion but, per the instruction of the visiting sensei, we certainly made the best of it. It also helped a little that we were able to stay a little later than the posted time. We are in a dance studio where they may or may not hold classes immediately afterwards which, in this case, they didn't come in. This extra time gave us the opportunity for everyone to fight with everyone.

There are two things that I wanted to accomplish here. First, I wanted to stop with the hesitating. There is this concept called sutemi that I have written about before that I would like to employ a bit better. The few times that I have been able to do it, I've been faster and more accurate since my attention is on the strike itself and not the many things that could go wrong. Second, I wanted to keep control of myself in a match. There are times where I can easily modify my fighting to keep the tempo up with the person I'm fighting against, or I might get overly excited and attack. What I want to do is be the one to set the pace of the match so I can do what I want to do and do it well. I wasn't all that successful in it, as I eventually reverted to my old ways. Speed, dexterity and strength are great things to have in a Kendo match, but they can only get me so far. When I feel I can impose my presense on the opponent and truely gain control of the situation, then I think I can gain the kind of victory that I am seeking.

There have been times when the attendance of Kendo and Iaido have been larger than usual, but these are usually anomalies due to a number or circumstances instead of being the norm. Despite that, it's very refreshing to know that there is a market for Kendo and Iaido for it to continue growing over the years in Cincinnati. Was Sunday's attendance a sign of Jim's hard work paying off or is it just the planets lining up? Only time will tell over the next few weeks, but I really hope the former scenario is the case.

AUSKF Kendo Summer Camp 2009, Daiseikou!

I had the great fortune of attending the All United States Kendo Federation Summer Camp this year in Millington, TN, which is just outside of Memphis. Before I begin, I would like to thank the Memphis Kendo Club for making this event a success with nice facilities and great organization. The practice place was very spacious yet provided enough ventilation so things never got too bad.

The seminar was chock full of information. What I will do for the following points is describe some of the notes that I could remember and try to interpret what they mean to me based on my skill level.

• Both the attacker and reciever should have an active role in training. The attacker is taking the role of the student by trying to execute the technique at hand as best as he or she possibly can. But the receiver shouldn't be too lax in taking hits either. The receiver's role is that of the teacher and should try to make the situation as realistic as he or she possibly can. If the receiver just lazily accepts techniques without any application, the attacker is just parroting the technique without getting much of a sense of how things are supposed to work. One good example would be debana-waza. The receiver, which is initiating the attack, should really attempt to go for the kote despite knowing that the attacker is most likely going to block. Not doing this correctly will result in neither knowing how the technique is applied.
  
• There are three parts to learning a technique: learn, practice and apply. The first part is just getting to know the technique with just the mechanical aspects. Using men as an example, this would be where all you are doing is developing muscle memory of the upswing and downswing to hit the target. The second part is practicing the technique. Once you gain the muscle memory, it is now time to refine that men so that the posture is correct from beginning to end and the right muscles are being applied to execute the swing itself. The final step, application, is where you learn how to apply what you have learned and explore how everything is supposed to work. So here, you would try to find out the best timing, how big or small the strike should be and how strong things should be to successfully achieve yukou-datotsu.
  
• Suburi should be treated as more than just warm ups for the main event. Oftentimes, we do the suburi to just warm the muscles up to segway into kihon geiko. But the various men strikes and suburi all have uses in shinsa and shiai, so just rushing through them is only a waste of time and encourages bad habits to form. During the seminar, this was applied by doing 100 matawari (crouching men) suburi, shomen suburi, naname suburi (the ones with hiraki-ashi) and haya-suburi (10 sets of 10 suburi).
  
• A person should not easily proclaim to be the teacher, but then they also shouldn't easily become a student. I think that this is supposed to mean that one shouldn't be too boastful about taking the leading position but, at the same time, one shouldn't just immediately put put yourself down into a smaller role. Everyone in the dojo needs to work together to improve in the dojo and that means that we shouldn't be too concerned with the overall role in the dojo.

During jigeiko, I got a couple of tips for improvement from various sensei:

• "You need to have a conversation with the shinai, don't argue with it." The shinai is supposed to be an extension of my body instead of just an extra appendage. Trying to force the shinai to do what I want to do isn't as effective as moving my body and extending my ki to move in harmony with the shinai.
  
• I need to concentrate on making all my hits count or I'm just wasting energy. As Matsuura sensei put it, just making random hits against an experienced person will just make them think about how to dispose of me instead of considering me a force to be reckoned with. I think this was probably the best personal advice given to me in terms of how he said it though.
• Ma-ai is still an issue for me. I tend to not really pay all that much attention to the effects of being too close or too far. Whenever I move in to try to get into a comfortable position, I don't need to move in so far. I pretty much just need to maintain issoku ittou no ma but getting myself to the point where I can prepare for an attack or parry.
  
• This one was for the kata portion, but I need to hold the bokken tip a little higher than chuudan no kamae. The purpose is so that I can threaten with the blade instead of just the tip when using a shinai. This is one thing that hasn't been told to me very often until about a few months ago, so I don't really know just how widespread that sort of knowledge it is. But the explanation does make sense since the bokken is a better sword facimile than a shinai where the tip is more imposing than the "blade" portion.
  

Overall, I had a lot of fun that weekend (except for the drive) inside and outside the dojo. I was able to stay at a friend's place which saved me $120 in hotel fees and was able to catch up and spend some time with their dog, which I am very greatful for. On the Kendo side of things, I really learned a lot while being there. If anyone has the chance to go to any seminar, whether national, regional or local, they should take that opportunity.

On a side note, I did take a few photos of the seminar. They mostly consist of the shinsa since that was the one thing I did not participate in, but I tried to do the best with what I had and tried to learn a bit about photography.